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2019 MMM:RE 雙妹嘜:RE

https://www.taikwun.hk/en/programme/detail/mmm-re-by-mcmuimui-dansemble-hk/449

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2019 MMM : RE 雙妹嘜 : RE

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MMM : RE Audition 雙妹嘜 : RE 大遴選

#大館舞蹈季：《雙妹嘜：RE》
#TaiKwunDanceSeason: “MMM:RE by McMuiMui Dansemble”

廿年前，香港現代舞舞者兼編舞陳敏兒和楊惠美創辦了雙妹嘜舞蹈劇場，舞團大玩多項人生議題，別樹一幟的特色一鳴驚人，繼而屢獲殊榮。10年前她們各自出發尋找藝術昇華之路，直至今年「雙妹嘜」成立20周年，二人帶著豐富的歷練回歸香港，攜手在大館舉行名為《雙妹嘜：RE》的獨家演出，分享性別與年齡的經驗。早前她們為表演進行遴選，有參加者竟然沒有舞蹈經驗！究竟她們將會帶來什麼全新的破格演出呢？

In celebration of the 20th anniversary of the homegrown McMuiMui Dansemble, dancer-choreographers Abby Chan and Yeung Wai Mei are set to reunite at Tai Kwun for an exclusive work titled “MMM:RE” after their respective decade-long discoveries in America. At the audition for this show, the award-winning dance duo surprisingly interviewed candidates with no prior experience in dance. Watch snippets of their interviews and get a sense of what this is all about!

https://www.taikwun.hk/en/programme/detail/mmm-re-by-mcmuimui-dansemble-hk/449

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Boot-leg Butter-fly

15-17.05.2009 Shouson Theatre (Hong Kong)

23-25.05.2009 Guang Zhou Modern Dance Theatre (China)

9-11.10.2009 Taipei Kuandu Arts Festival (Taiwan)

Inspired by the renowned Chinese tale Butterfly Lovers, the new collaboration of renowned Hong Kong novelist Chan Wai and the two female dancers/choreographers Yeung Wai-mei and Abby Chan. Boot-leg Butter-fly explores the intimate relationship between females as well as their living situation, constraints and competition modern women are facing with,
through well structured text, body movement and music. The three female artists are no feminist but are all fascinated by the surprises and creativity of women in todays modern cities, not to mention the struggle between in-born traditions and heritage. The inspiring piece will incorporate new forms of stage performance through the dancers/choreographers
edge on presentation and interpretation of the traditional oriental tale. The involvement of renowned artistic director Man Lim-chung in the movie industry will surely bring in artistic and creative surprises to the Chinese as well as international audiences.